Wall Plates

Solo Exhibition at Sala de Espera, Tijuana, MX

March - May 2024

One day in my studio, I held up a toggle light switch cover and looked through it. Within the cutouts, segments of sky, roof, and trees were visible. Suddenly, a new type of landscape emerged: mostly blocked out with smooth plastic was a peep hole that showed snippets of a vague place. Two more holes for screws exposed other vantage points.

For my exhibition at Sala de Espera, I presented eleven mid-sized paintings using the form of light switch covers as a formal jumping off point. This compositional constraint allowed for a layered, bifurcated landscape that is both concealed and revealed. 

Installation view

Unleashed forces, 2024

Oil on canvas

40 x 24 in.

Pretty for the parlor, 2024

Oil on canvas

40 x 24 in.

All in a day’s work, 2024

Oil on canvas

40 x 24 in.

Ghost city, 2024

Oil on canvas

40 x 24 in.

All in a day’s work, 2024

Oil on canvas

40 x 24 in.

Ghost City, detail

All in a day’s work, detail

Unleashed forces, detail

Faux bois, detail

Uproot and replant, 2024

Oil on canvas

40 x 24 in.

Slice of Swiss, 2024

Oil on canvas

40 x 24 in.

The carpet matches the drapes, 2024

Oil on canvas

40 x 24 in.

If clouds could see, 2024

Oil on canvas

40 x 24 in.

Empty nest, 2024

Oil on canvas

40 x 24 in.

Inventor of myth, 2024

Oil on canvas

40 x 24 in.

Slice of Swiss, detail

Inventor of myth, detail

Empty Nest, detail

The carpet matches the drapes, detail